This long, immersive concert documentary gives viewers an intimate look at the artistic process of one of our most precious Black entertainers. Like living legend Loretta Devine - looking as fine as her Different World days - romancing Gregory Hines. I find something new to love about this film every time I watch it. Then every time you revisit the film, it feels like a surprise. Is there anything more cathartic than watching four iconic actresses bond with the scenic Arizona landscape as a backdrop? The great thing about Waiting to Exhale is that you always remember it as an emotional film, but forget how funny it is. This is a film where the bloopers at the end are worth sitting through. Fox, Morris Chestnut, Mo’Nique, Gabrielle Union, Wendy Raquel Robinson, Tamala Jones, and - sigh - Anthony Anderson are one of the best Black romcom ensembles since 1999’s The Best Man. Two Can Play That Game is the rare modern romantic comedy that feels timeless, with an easy chemistry among the performers that comes through even when their dialogue is a bit corny. “The CIA ain’t got shit on a woman with a plan.” Every quote in this film is an Instagram caption. The less I say about this film the better its melancholy tonal shift and poetic ending speak for themselves. ![]() Newcomers Eden Duncan-Smith and Dante Crichlow are charismatic as two nerdy best friends trying to change the world. Director Stefon Bristol and co-writer Fredrica Bailey’s script is both authentic, hilarious and, eventually, heartbreaking. See You Yesterday tells the story of two smart, young Black teens who are working on a time machine. This heartfelt little indie just won an Independent Spirit Award this year and yet it still doesn’t get enough love. ![]() Dolemite is My Name is a film that feels like a love letter to Black comedy as a whole, and I’m so glad it’s in the world. He’s just bursting with energy and playing off every character and extra he encounters. There’s so much love and consideration in his performance. His performance as real-life comedian and director Rudy Ray Moore is transcendent. And it would be way more than a comeback award, because he really gives his all in this film. This is the film that should have gotten Eddie Murphy an Oscar.
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